Do you remember the time we walked on the beach
to the sound of the surf as it beat at our feet
and the sun was rising crimson with love
as we walked hand in hand and flew like the doves.
Do you remember the feel of the wind in our hair
as we sat on the sands without any cares
and the tears in our eyes were for joy not for grief
as we sat and felt as one with the beach.
Do you remember the time we walked on the beach
to the sound of the surf as it beat at our feet
your heart was in mine and mine was in yours
as we walked hand in hand on those magical shores.
Do you remember the feel of the wind in our hair
as we sat on the sands without any cares
and we joined with the ocean that came to our feet
making us the beach and the ocean complete.
Do you remember the time we walked on the beach
with the healing, the feeling, of being at peace
the sand at our feet, the surf in our mind
an ocean of stillness in one heart that's combined.
Do you remember the feel of the wind in our hair
with our eyes full of stars our hearts without cares
and a sun that was rising crimson with love
as our souls were set free into the sky up above.
Do you remember the time we walked on the beach
to the sound of the surf as it beat at our feet
and the sun was rising crimson with love
as we walked hand in hand and flew like the doves.
David Taylor
http://www.poemhunter.com/poem/complete-rising-crimson-with-love/
to the sound of the surf as it beat at our feet
and the sun was rising crimson with love
as we walked hand in hand and flew like the doves.
Do you remember the feel of the wind in our hair
as we sat on the sands without any cares
and the tears in our eyes were for joy not for grief
as we sat and felt as one with the beach.
Do you remember the time we walked on the beach
to the sound of the surf as it beat at our feet
your heart was in mine and mine was in yours
as we walked hand in hand on those magical shores.
Do you remember the feel of the wind in our hair
as we sat on the sands without any cares
and we joined with the ocean that came to our feet
making us the beach and the ocean complete.
Do you remember the time we walked on the beach
with the healing, the feeling, of being at peace
the sand at our feet, the surf in our mind
an ocean of stillness in one heart that's combined.
Do you remember the feel of the wind in our hair
with our eyes full of stars our hearts without cares
and a sun that was rising crimson with love
as our souls were set free into the sky up above.
Do you remember the time we walked on the beach
to the sound of the surf as it beat at our feet
and the sun was rising crimson with love
as we walked hand in hand and flew like the doves.
David Taylor
http://www.poemhunter.com/poem/complete-rising-crimson-with-love/
Wind energy is revolutionizing science education. In Indiana, NativeEnergy is helping schools build wind turbines that provide hands-on learning opportunities.
Facing budget cuts, Indiana schools needed a new approach.
The answer was an everyday resource: the wind.
Harold Seamon, assistant superintendent, Northwestern schools in Kokomo: “We looked at the possibility of building a wind turbine for several years. After doing a number of projects—we purchased equipment to improve our energy efficiency and the environment in our buildings—we finally said, ‘It would really be neat if we could generate some of our own power.’”
But they couldn’t do it alone. They turned to Performance Services to help assess the wind energy potential. Performance Services is a design-build engineering and construction firm with experience in developing community scale wind projects in Indiana.
Together, they discovered more than enough wind and expected major energy savings. B
Facing budget cuts, Indiana schools needed a new approach.
The answer was an everyday resource: the wind.
Harold Seamon, assistant superintendent, Northwestern schools in Kokomo: “We looked at the possibility of building a wind turbine for several years. After doing a number of projects—we purchased equipment to improve our energy efficiency and the environment in our buildings—we finally said, ‘It would really be neat if we could generate some of our own power.’”
But they couldn’t do it alone. They turned to Performance Services to help assess the wind energy potential. Performance Services is a design-build engineering and construction firm with experience in developing community scale wind projects in Indiana.
Together, they discovered more than enough wind and expected major energy savings. B
In the wake of Cyclone Nisarga, Covid-19 patients were shifted to makeshift quarantine centres. Chief minister Uddhav Thackeray, while addressing citizens on Tuesday evening, said, Along with heavy rains we are also expecting heavy wind flow due to which, as a precautionary measure, we shifted patients. Watch the video for more information.
https://micin-seller.blogspot.co.uk/?book=1557286574
More than seventy-five years after its publication, Gone with the Wind remains thoroughly embedded in American culture. Margaret Mitchell?s novel and the film produced by David O. Selznick have melded with the broader forces of southern history, southern mythology, and marketing to become, and remain, a cultural phenomenon.A Tough Little Patch of History (the phrase was coined by a journalist in 1996 to describe the Margaret Mitchell home after it was spared from destruction by fire) explores how Gone with the Wind has remained an important component of public memory in Atlanta through an analysis of museums and historic sites that focus on this famous work of fiction. Jennifer W. Dickey explores how the book and film threw a spotlight on Atlanta, which found itself simultaneously presented as an emblem of both the Old South and the New South. Exhibitions produced by the Atlanta History Center related to Gone with the Wind are explored, along with nearby Clayton County?s claim to fame as ?the Home of Gone with the Wind,? a moniker bestowed on the county by Margaret Mitchell?s estate in 1969. There?s a recounting of the saga of ?the Dump,? the tiny apartment in midtown Atlanta where Margaret Mitchell wrote the book, and how this place became a symbol for all that was right and all that was wrong with Mitchell?s writing.
More than seventy-five years after its publication, Gone with the Wind remains thoroughly embedded in American culture. Margaret Mitchell?s novel and the film produced by David O. Selznick have melded with the broader forces of southern history, southern mythology, and marketing to become, and remain, a cultural phenomenon.A Tough Little Patch of History (the phrase was coined by a journalist in 1996 to describe the Margaret Mitchell home after it was spared from destruction by fire) explores how Gone with the Wind has remained an important component of public memory in Atlanta through an analysis of museums and historic sites that focus on this famous work of fiction. Jennifer W. Dickey explores how the book and film threw a spotlight on Atlanta, which found itself simultaneously presented as an emblem of both the Old South and the New South. Exhibitions produced by the Atlanta History Center related to Gone with the Wind are explored, along with nearby Clayton County?s claim to fame as ?the Home of Gone with the Wind,? a moniker bestowed on the county by Margaret Mitchell?s estate in 1969. There?s a recounting of the saga of ?the Dump,? the tiny apartment in midtown Atlanta where Margaret Mitchell wrote the book, and how this place became a symbol for all that was right and all that was wrong with Mitchell?s writing.
https://lkmnsorgedhang.blogspot.co.uk/?book= 1541645537
The classic work on American racism and the struggle for racial justice, now with a new foreword by Michelle AlexanderIn Faces at the Bottom of the Well, civil rights activist and legal scholar Derrick Bell uses allegory and historical example to argue that racism is an integral and permanent part of American society. African American struggles for equality are doomed to fail so long as the majority of whites do not see their own well-being threatened by the status quo. Bell calls on African Americans to face up to this unhappy truth and abandon a misplaced faith in inevitable progress. Only then will blacks, and those whites who join with them, be in a position to create viable strategies to alleviate the burdens of racism. "Freed of the stifling rigidity of relying unthinkingly on the slogan 'we shall overcome,'" he writes, "we are impelled both to live each day more fully and to examine critically the actual effectiveness of traditional civil rights remedies."With a new foreword by Michelle Alexander, Faces at the Bottom of the Well is urgent and essential reading on the problem of racism in America.
The classic work on American racism and the struggle for racial justice, now with a new foreword by Michelle AlexanderIn Faces at the Bottom of the Well, civil rights activist and legal scholar Derrick Bell uses allegory and historical example to argue that racism is an integral and permanent part of American society. African American struggles for equality are doomed to fail so long as the majority of whites do not see their own well-being threatened by the status quo. Bell calls on African Americans to face up to this unhappy truth and abandon a misplaced faith in inevitable progress. Only then will blacks, and those whites who join with them, be in a position to create viable strategies to alleviate the burdens of racism. "Freed of the stifling rigidity of relying unthinkingly on the slogan 'we shall overcome,'" he writes, "we are impelled both to live each day more fully and to examine critically the actual effectiveness of traditional civil rights remedies."With a new foreword by Michelle Alexander, Faces at the Bottom of the Well is urgent and essential reading on the problem of racism in America.
https://blendranggothel.blogspot.com/?book=1541645537
The classic work on American racism and the struggle for racial justice, now with a new foreword by Michelle AlexanderIn Faces at the Bottom of the Well, civil rights activist and legal scholar Derrick Bell uses allegory and historical example to argue that racism is an integral and permanent part of American society. African American struggles for equality are doomed to fail so long as the majority of whites do not see their own well-being threatened by the status quo. Bell calls on African Americans to face up to this unhappy truth and abandon a misplaced faith in inevitable progress. Only then will blacks, and those whites who join with them, be in a position to create viable strategies to alleviate the burdens of racism. "Freed of the stifling rigidity of relying unthinkingly on the slogan 'we shall overcome,'" he writes, "we are impelled both to live each day more fully and to examine critically the actual effectiveness of traditional civil rights remedies."With a new foreword by Michelle Alexander, Faces at the Bottom of the Well is urgent and essential reading on the problem of racism in America.
The classic work on American racism and the struggle for racial justice, now with a new foreword by Michelle AlexanderIn Faces at the Bottom of the Well, civil rights activist and legal scholar Derrick Bell uses allegory and historical example to argue that racism is an integral and permanent part of American society. African American struggles for equality are doomed to fail so long as the majority of whites do not see their own well-being threatened by the status quo. Bell calls on African Americans to face up to this unhappy truth and abandon a misplaced faith in inevitable progress. Only then will blacks, and those whites who join with them, be in a position to create viable strategies to alleviate the burdens of racism. "Freed of the stifling rigidity of relying unthinkingly on the slogan 'we shall overcome,'" he writes, "we are impelled both to live each day more fully and to examine critically the actual effectiveness of traditional civil rights remedies."With a new foreword by Michelle Alexander, Faces at the Bottom of the Well is urgent and essential reading on the problem of racism in America.
https://lkmnsorgedhang.blogspot.co.uk/?book= 1541645537
The classic work on American racism and the struggle for racial justice, now with a new foreword by Michelle AlexanderIn Faces at the Bottom of the Well, civil rights activist and legal scholar Derrick Bell uses allegory and historical example to argue that racism is an integral and permanent part of American society. African American struggles for equality are doomed to fail so long as the majority of whites do not see their own well-being threatened by the status quo. Bell calls on African Americans to face up to this unhappy truth and abandon a misplaced faith in inevitable progress. Only then will blacks, and those whites who join with them, be in a position to create viable strategies to alleviate the burdens of racism. "Freed of the stifling rigidity of relying unthinkingly on the slogan 'we shall overcome,'" he writes, "we are impelled both to live each day more fully and to examine critically the actual effectiveness of traditional civil rights remedies."With a new foreword by Michelle Alexander, Faces at the Bottom of the Well is urgent and essential reading on the problem of racism in America.
The classic work on American racism and the struggle for racial justice, now with a new foreword by Michelle AlexanderIn Faces at the Bottom of the Well, civil rights activist and legal scholar Derrick Bell uses allegory and historical example to argue that racism is an integral and permanent part of American society. African American struggles for equality are doomed to fail so long as the majority of whites do not see their own well-being threatened by the status quo. Bell calls on African Americans to face up to this unhappy truth and abandon a misplaced faith in inevitable progress. Only then will blacks, and those whites who join with them, be in a position to create viable strategies to alleviate the burdens of racism. "Freed of the stifling rigidity of relying unthinkingly on the slogan 'we shall overcome,'" he writes, "we are impelled both to live each day more fully and to examine critically the actual effectiveness of traditional civil rights remedies."With a new foreword by Michelle Alexander, Faces at the Bottom of the Well is urgent and essential reading on the problem of racism in America.
https://nn.readpdfonline.xyz/?book=1557286574
More than seventy-five years after its publication, Gone with the Wind remains thoroughly embedded in American culture. Margaret Mitchell?s novel and the film produced by David O. Selznick have melded with the broader forces of southern history, southern mythology, and marketing to become, and remain, a cultural phenomenon.A Tough Little Patch of History (the phrase was coined by a journalist in 1996 to describe the Margaret Mitchell home after it was spared from destruction by fire) explores how Gone with the Wind has remained an important component of public memory in Atlanta through an analysis of museums and historic sites that focus on this famous work of fiction. Jennifer W. Dickey explores how the book and film threw a spotlight on Atlanta, which found itself simultaneously presented as an emblem of both the Old South and the New South. Exhibitions produced by the Atlanta History Center related to Gone with the Wind are explored, along with nearby Clayton County?s claim to fame as ?the Home of Gone with the Wind,? a moniker bestowed on the county by Margaret Mitchell?s estate in 1969. There?s a recounting of the saga of ?the Dump,? the tiny apartment in midtown Atlanta where Margaret Mitchell wrote the book, and how this place became a symbol for all that was right and all that was wrong with Mitchell?s writing.
More than seventy-five years after its publication, Gone with the Wind remains thoroughly embedded in American culture. Margaret Mitchell?s novel and the film produced by David O. Selznick have melded with the broader forces of southern history, southern mythology, and marketing to become, and remain, a cultural phenomenon.A Tough Little Patch of History (the phrase was coined by a journalist in 1996 to describe the Margaret Mitchell home after it was spared from destruction by fire) explores how Gone with the Wind has remained an important component of public memory in Atlanta through an analysis of museums and historic sites that focus on this famous work of fiction. Jennifer W. Dickey explores how the book and film threw a spotlight on Atlanta, which found itself simultaneously presented as an emblem of both the Old South and the New South. Exhibitions produced by the Atlanta History Center related to Gone with the Wind are explored, along with nearby Clayton County?s claim to fame as ?the Home of Gone with the Wind,? a moniker bestowed on the county by Margaret Mitchell?s estate in 1969. There?s a recounting of the saga of ?the Dump,? the tiny apartment in midtown Atlanta where Margaret Mitchell wrote the book, and how this place became a symbol for all that was right and all that was wrong with Mitchell?s writing.
The lingering shadows of those
who are gone from our grasp
bring comfort to those
who had to say behind.
Their voices inherit the wind
on cold and lonely nights.
Their voices can be heard
telling us everything is all right
when the shadows of loneliness
fall across our sight.
Our weeping call to come back
is answered in the wind
and the shaking branches
touched by a breeze.
Candles were lit to show us the way
when the clouds of darkness surround
and the voices inheriting the wind compound.
We walk with eyes blinded
into an eternal light
to be consumed within.
No one knows our boundaries
when angels take flight
and we only go when we are ready
to face the eternal night.
Those we left have no fear
we maybe gone, but we are still here.
Our voices inherit the wind on dark blustery nights.
We are those fleeting shadows
you catch from the corner of your eye.
We seek not to alarm you,
just to guide you along,
we are your past nudging you
into the future where you belong.
28 March 2010
David Harris
http://www.poemhunter.com/poem/voices-inherit-the-wind/
who are gone from our grasp
bring comfort to those
who had to say behind.
Their voices inherit the wind
on cold and lonely nights.
Their voices can be heard
telling us everything is all right
when the shadows of loneliness
fall across our sight.
Our weeping call to come back
is answered in the wind
and the shaking branches
touched by a breeze.
Candles were lit to show us the way
when the clouds of darkness surround
and the voices inheriting the wind compound.
We walk with eyes blinded
into an eternal light
to be consumed within.
No one knows our boundaries
when angels take flight
and we only go when we are ready
to face the eternal night.
Those we left have no fear
we maybe gone, but we are still here.
Our voices inherit the wind on dark blustery nights.
We are those fleeting shadows
you catch from the corner of your eye.
We seek not to alarm you,
just to guide you along,
we are your past nudging you
into the future where you belong.
28 March 2010
David Harris
http://www.poemhunter.com/poem/voices-inherit-the-wind/
https://clicktofreeacces.blogspot.com/?book=1541645537
The classic work on American racism and the struggle for racial justice, now with a new foreword by Michelle AlexanderIn Faces at the Bottom of the Well, civil rights activist and legal scholar Derrick Bell uses allegory and historical example to argue that racism is an integral and permanent part of American society. African American struggles for equality are doomed to fail so long as the majority of whites do not see their own well-being threatened by the status quo. Bell calls on African Americans to face up to this unhappy truth and abandon a misplaced faith in inevitable progress. Only then will blacks, and those whites who join with them, be in a position to create viable strategies to alleviate the burdens of racism. "Freed of the stifling rigidity of relying unthinkingly on the slogan 'we shall overcome,'" he writes, "we are impelled both to live each day more fully and to examine critically the actual effectiveness of traditional civil rights remedies."With a new foreword by Michelle Alexander, Faces at the Bottom of the Well is urgent and essential reading on the problem of racism in America.
The classic work on American racism and the struggle for racial justice, now with a new foreword by Michelle AlexanderIn Faces at the Bottom of the Well, civil rights activist and legal scholar Derrick Bell uses allegory and historical example to argue that racism is an integral and permanent part of American society. African American struggles for equality are doomed to fail so long as the majority of whites do not see their own well-being threatened by the status quo. Bell calls on African Americans to face up to this unhappy truth and abandon a misplaced faith in inevitable progress. Only then will blacks, and those whites who join with them, be in a position to create viable strategies to alleviate the burdens of racism. "Freed of the stifling rigidity of relying unthinkingly on the slogan 'we shall overcome,'" he writes, "we are impelled both to live each day more fully and to examine critically the actual effectiveness of traditional civil rights remedies."With a new foreword by Michelle Alexander, Faces at the Bottom of the Well is urgent and essential reading on the problem of racism in America.